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	<title>Comments on: He Must Increase&#8230;a meditation</title>
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	<description>Catholic Anglican Reflections on Theology and Culture</description>
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		<title>By: Darkness Whistler</title>
		<link>http://www.thelandofunlikeness.com/2008/07/21/he-must-increasea-meditation/comment-page-1/#comment-1633</link>
		<dc:creator>Darkness Whistler</dc:creator>
		<pubDate>Mon, 15 Jun 2009 21:45:12 +0000</pubDate>
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		<description>Julie, 
Thanks for you question...I am not sure I know the answer to this. I am not versed enough in approaching the history of Christian art with this question. It may be that at least part of the answer lies in a &quot;high Christology&quot; vs a &quot;low Christology.&quot; In other words the shift at various points in the history of the Church&#039;s theology is such that a times the Diety of Christ gathers more attention while at other times his Humanity takes center stage. There are of course those who maintain that medieval paintings such as Grunewald&#039;s show an unhealthy turn toward a fetishizing of suffering and violence. There may be something to this, though I have found such accounts to be mostly unconvincing and tending toward a vast oversimplification of a very complicated history. For instance, it is her vision of the human and frail Jesus who ultimately gives Theresa of Avila the confidence to trust in a God who has entered the depths of her human condition and therefore becomes one of a handful of the greatest mystics the western church has ever known. Are we to simply dismiss her thought with the charge of a &quot;fetishizing of human frailty?&quot; I think not. But, again, I am not in a position to give a coherent account of all the details of this complex history, so I am open to the possibility that such an account of the turn toward the unhealthy focus upon suffering may have at least some bearing upon a right rendering of the tradition of western xian art. 

Given the fact that you asked the question and describe the earlier works as having the &quot;perfect&quot; body of Christ, perhaps you have thoughts on this and could help us...? Thanks again.</description>
		<content:encoded><![CDATA[<p>Julie,<br />
Thanks for you question&#8230;I am not sure I know the answer to this. I am not versed enough in approaching the history of Christian art with this question. It may be that at least part of the answer lies in a &#8220;high Christology&#8221; vs a &#8220;low Christology.&#8221; In other words the shift at various points in the history of the Church&#8217;s theology is such that a times the Diety of Christ gathers more attention while at other times his Humanity takes center stage. There are of course those who maintain that medieval paintings such as Grunewald&#8217;s show an unhealthy turn toward a fetishizing of suffering and violence. There may be something to this, though I have found such accounts to be mostly unconvincing and tending toward a vast oversimplification of a very complicated history. For instance, it is her vision of the human and frail Jesus who ultimately gives Theresa of Avila the confidence to trust in a God who has entered the depths of her human condition and therefore becomes one of a handful of the greatest mystics the western church has ever known. Are we to simply dismiss her thought with the charge of a &#8220;fetishizing of human frailty?&#8221; I think not. But, again, I am not in a position to give a coherent account of all the details of this complex history, so I am open to the possibility that such an account of the turn toward the unhealthy focus upon suffering may have at least some bearing upon a right rendering of the tradition of western xian art. </p>
<p>Given the fact that you asked the question and describe the earlier works as having the &#8220;perfect&#8221; body of Christ, perhaps you have thoughts on this and could help us&#8230;? Thanks again.</p>
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		<title>By: Julie</title>
		<link>http://www.thelandofunlikeness.com/2008/07/21/he-must-increasea-meditation/comment-page-1/#comment-1522</link>
		<dc:creator>Julie</dc:creator>
		<pubDate>Wed, 22 Apr 2009 17:51:47 +0000</pubDate>
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		<description>why were there so few paintings prior to this one by Grunewald that displays Christ in his suffering?  Many of the earlier Crucifixion pieces have the perfect body of Christ?</description>
		<content:encoded><![CDATA[<p>why were there so few paintings prior to this one by Grunewald that displays Christ in his suffering?  Many of the earlier Crucifixion pieces have the perfect body of Christ?</p>
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		<title>By: Darkness Whistler</title>
		<link>http://www.thelandofunlikeness.com/2008/07/21/he-must-increasea-meditation/comment-page-1/#comment-649</link>
		<dc:creator>Darkness Whistler</dc:creator>
		<pubDate>Tue, 22 Jul 2008 03:18:27 +0000</pubDate>
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		<description>You are welcome David. Thanks for your generosity. I am glad it was helpful. Grunewald&#039;s painting has a strongly Iconic feel as well.</description>
		<content:encoded><![CDATA[<p>You are welcome David. Thanks for your generosity. I am glad it was helpful. Grunewald&#8217;s painting has a strongly Iconic feel as well.</p>
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		<title>By: David W. Congdon</title>
		<link>http://www.thelandofunlikeness.com/2008/07/21/he-must-increasea-meditation/comment-page-1/#comment-647</link>
		<dc:creator>David W. Congdon</dc:creator>
		<pubDate>Tue, 22 Jul 2008 00:49:25 +0000</pubDate>
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		<description>&quot;As the Body of Christ our lives are to be &#039;the bony finger&#039; of John the Baptist who points the world to Christ.&quot;

Wow.  I&#039;ve always loved the Isenheim Altarpiece, and this is a profound interpretation of the &quot;body of Christ&quot; image.  Thanks.</description>
		<content:encoded><![CDATA[<p>&#8220;As the Body of Christ our lives are to be &#8216;the bony finger&#8217; of John the Baptist who points the world to Christ.&#8221;</p>
<p>Wow.  I&#8217;ve always loved the Isenheim Altarpiece, and this is a profound interpretation of the &#8220;body of Christ&#8221; image.  Thanks.</p>
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